Above: Chris Lewis Jones: Shoe..he’s working on a new performer’s shoes drawing project: he is very interested in music, performance and tracing emotion.
In Alan Sillitoe’s Saturday Night, Sunday Morning, Albert Finney’s Arthur Seaton is caught in a spiral of work, drink and grabbing pleasure where he can and we and he know he is more than that. Below is a clip where Seaton does his Hamlet:
The Arctic Monkeys, Alan Sillitoe, Albert Finney and Arthur Seaton and ‘we’ loved this sense of an always absent but present self of yourself. Their album of the same name, released on 23rd January 2006 went platinum four times.
And the quote was mentioned by Chris Lewis Jones, conceptual, performance artist and draughtsman when I spoke to him at Primary: Art, Bakery, Garden and Maker factory at Seely Road Radford on the eleventh anniversary of the record release, 23rd January 2017.
Chris’s talent is present in many things I find interesting: he can draw, he can think, he can perform and he can bring communities together. His dad was an artist and Chris seems to instinctively be able to reach across and beyond genres to solve problems.
Chris is working with Ignite a wonderful local science outreach project on events at the Festival of Science and Curiosity between 8th and 15th February 2017. And he can reach out because he already reaches out in his thinking and practice.
Below, on the left, is the artist Cajal, a person who used art to understand science. Cajal was featured last week in a Guardian article, because, like Arthur Seaton and Chris Lewis Jones, like all of us, really, he wasn’t just an artist. He was also the Nobel prize winning scientist Santiago Ramón y Cajal
Left Santiago Ramón y Cajal artist/scientist in his lab 1885 Right Chris Lewis Jones at home at Primary, Nottingham Jan 2017
Sanitiago Ramon y Cajal was beautifully celebrated in a Guardian article last week (the article had 4542 shares).
Like Goya, like many people who loved draughtsmanship, Cajal struggled with his gifts and social expectations. He was apprenticed to a barber and a cobbler, wanted to be a draughtsman and his parents wanted him to study medicine.
Goya, with his fabulous energy at a time of great social mobility, always made sure that when he received a commission that he received enough money to pay for a carriage so that he could be mobile. Interestingly, the latin root of social mobility is ‘carriage‘.
So the idea that artists are different from anyone else probably comes from the related idea of being defined as something at a very early age. Artists are ‘notorious’ for struggling against this definition but rather than wanting separate and different rules for themselves and their work artists are probably, like Arthur Seaton and Goya, struggling against being defined.(p387)
Left Cajal Astrocytes, courtesy of the Guardian Right Chris Lewis Jones Household brush image courtesy the artist
Left: Guardian Cajal Pyramidal neuron of the Cerebral cortex Right Chris Lewis Jones circular hand brush
Left Guardian Cajal Calyces of Held in the nucleus of the trapezoid body of the brain help us perceive sound Right: Chris Lewis Jones Butcher’s two handled Cleaver
Chris is a phenomenal talent and we’re very lucky to know him in Nottingham.